Basses Loaded • Volume 3 • Blues Edition

Blues Bass: Basic Rhythms • Application: Chord To Chord Movement • Getting Started: A Blues Education, Dominant Theory • Three Basic Chords • 12-Bar Blues Form • The Blues: Musical Variables • Blues Theory Application: The Raw Material • Harmonic Variations • Blues Bass Profile: Willie Dixon • Blues Grooves: The “Walking” Groove • Walking Blues • Building Vocabulary: Line Approaches • MAJOR TRIAD • “BOX PATTERN” • MAJOR TRIAD APPLICATION • MAJOR 6 ARPEGGIO • THE DOMINANT 13 ARPEGGIO • MIXOLYDIAN PATTERN • PATTERN SIX: THE DOMINANT 7 • PATTERN SEVEN: THE MAJOR PENTATONIC SCALE • PATTERN EIGHT: THE CHROMATIC SCALE • The Albert Collins Jump • In The Style Of “Don’t Lose Your Cool” by Albert Collins • Walking With The King Of Kings • In The Style Of “I’d Rather Drink Muddy Water” by B.B. King • Quarter Note Blues Style: Dominant Bass Line Ideas • Blues Grooves: The Jazz/Swing Groove • New Chord Changes • Jazz Discipline/Intervallic Root 5th Approach • Chromatic Approach • Ray Brown Style • Your First Jazz Experience • Freddie (Changes) • Blues Rhythm • The 8th Note Triplet • TRIPLET WARMUP RIFF • TRIPLETS: C MINOR PENTATONIC SCALE • Blues Rhythm • The Shuffle Rhythm • Blues Grooves: The “Flat Tire” Groove • In The Style Of “Everyday I Have The Blues” by B.B. King • Blues Grooves • Shuffled 8ths • In The Style Of “Blues In G” by B.B. King • Blues “Shuffle” Articulation • Albert King Style • In The Style Of “Laundromat Blues” by Albert King • In The Style Of “Stormy Monday” by T-Bone Walker • The Double Shuffle • In The Style Of “T-Bone Shuffle” by Buddy Guy • Jerry Jemmott Shuffle • In The Style Of “That Will Never Do” by Freddie King • Blues Grooves: The 12/8 Groove • Reading 12/8 Time • In The Style Of “Texas Flood” by Stevie Ray Vaughan • Blues Theory: The Use Of Blue Notes • Blue Note Etude (legato “swing” 8th feel) • Tone Sets: “Blue Note” Tone Sets • Blues Technique • The Use Of Slurs • Double Stops: 10th Intervals • Ron Carter Style: Double Stop Blues • BLUES FOR THOSE WHO ARE ALONE • Slurred Speech Shuffle • In The Listening Room: THE SHUFFLE RHYTHM • Beyond The Shuffle: RandB Blues Styles • In The Style Of “If You Love Me Like You Say” by Albert Collins • Jerry Jemmott’s Funky Bass • In The Style Of “Funky” by Freddie King • Double Stops: Guide Tone Intervals • Guide Tone Double-Stops (ala Chuck Rainey) • “Fat Albert Bass” Blues • In The Style Of “I Want You So Bad” by B.B. King • Roscoe Beck Style: Two Hand Chord Voicings • THE BETTER MOUSETRAP: “WIDE” VOICINGS